Thiruvaadipooram at Srirangam Attru Azhagiyasingar Temple


Thiruvaadipooram was celebrated grandly at Sri Attru Azhagiyasingar Temple, near Srirangam yesterday, 9th of August 2013. Some of the photograps taken during the utsavam can be viewed below. Detailed information about this temple is provided below as well.

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About the temple:

Attru Azhaghiasingar Temple is located on the river’s edge, nearby Srirangam Temple.  The Divine couples are to be found at Oduthurai, on the very edge of the south bank of the river Kaveri between the road and rail bridges that connect the town of Trichy to Srirangam. As one comes from Srirangam on the Trichy Chennai road, after crossing the bridge over Kaveri, one has to take a left turn, actually a left U turn. This road leads to a level crossing, Oyamori the cremation ghat and the bypass road on to the south Kalannai road further eastward. Almost half way between the point where one turned left after the Kaveri bridge and the railway crossing there are steps leading down. The steps are high, about 15 in number and these lead to small approach between two houses. Climbing up the few steps one reaches the entrance into the temple. Inside it is clean. The sanctum is open to the east, it is in the east west direction. The ceiling is low, about nine feet only. Right at the eastern end there is a dwaja stambha and a small sanctum of Garudaazhwar, as always with hands folded. He is forever gazing at the Divine Couple.

The young archaka, Sri Kamalakannan is very articulate and well informed. He patiently answers all our questions. It is he who narrated the afore mentioned legend. With great fervour he tells us about the presiding deity.

The Divine Couple are seated under the shade of a tall five hooded Adiseshan. Thayar is on His lap. She is seated daintily and Her body and face are turned towards Him, partially. She has Her hands together in the “namaste” posture. This not usual. Sri Lakshmi usually has one hand in the “abhaya” and the other in the “varada” mudhra. In some places She has a lotus in one of Her hands. Here She sits with Her head slightly bent, hands folded together in a pose of supplication. That is why this is “venduthal sthalam” a wish granting place. On the wall at the entrance there is a huge banner printed digitally which colorfully explains which day of the week is optimal for which need!

This pose of our Mother graphically illustrates Her role as a mediatrix. Even though our Lord is a repository of mercy, compassion etc. one never knows when He is displeased with us. When He looks at us with His sun like eye all our countless sins, committed down the ages, are well lit up and He pushes us away angrily, into the endless cycle of rebirths. It is only by Her mediation He is made to overlook our transgressions and emancipate us. It has been repeatedly emphasised by the scriptures and by the teachings of our acharyas, that bereft of Her help we can never escape bondage.

A mediatrix can be effective only if she is merciful, seeks refuge in Him only and can influence Him at will. Our Mother Sri Lakshmi is always with Him just for this purpose. Here on the south bank of Kaveri the Divine Couple enact this truth for us.

Sri Nrisimha is seated with the left leg folded and only the right foot is visible. His right lower hand is in “abhaya mudhra” and he has fearsome moustaches! His lower left arm is invisible behind Her and His upper two arms have Chakra and Sankha. He is smiling, showing all His teeth. The five hooded Adisesha covered by silver plates dwarfs the “thiruvasi” the arch over the Divine couple.

Sarvopim Samashrithya Sakalam Bhadram Ashnuthe
Sriyascha Badryajushra Estham Bhadram Namamyaham

To one side of the Divine Couple, stands Anjaneya in a vinitha, humble, posture. The surprising point is that he has three eyes, the third one in the centre of the forehead. We have seen many Sudarshanas and our Lord Nrisimhas with three eyes, this is our first darshan of Anjaneya with an extra eye.

The next surprise is the utsavar. Guess who? He is as handsome as a new bridegroom and is the same both above and below the neck, i.e. He is not a man-lion. To either side of Him are Sridevi and Bhudevi. His name? We gave you a hint didn’t we. Azhagiyamanavalan, the handsome bridegroom, same as the renowned processional deity of SriRanganathaswamy Koil, fondly called Nam Perumal. It is Azhagiyamanavalan here who is taken out on all the processions, in fact He goes upto the base of the Rock fort about two kms away.

There is a small vigraham of Vainatheyan behind Anjaneya.

To the right side of the sanctum, an idol of SriLakshmiNrisimha on Garuda vahana is shown to us by he archaka who says that it is made of sandal paste.

After repeatedly paying obeisance to the Divine Couple we circumambulate the small well built sanctum. Huge pictures of Padmavathi Thayar and Venkatachalapathi adorn the wall next to the sanctum. Going behind, i.e. westward we see the entrance to a huge hall, extending in the south – north direction. On the posterior wall of the sanctum Sri Sudarshana, as in Srirangam, is painted on the wall. Coming to the left of the sanctum(north) we see the steps that lead down to the Kaveri. Generous flow from Karnataka due to the plentiful south west monsoons is the reason Kaveri is lapping at the lower steps. One can well imagine the flooding of this temple when Kaveri is in spate.

From the steps leading to the Kaveri we go further eastward. This is a big mandapa in front of the sanctum, closed on all sides. Near the northern wall there is a lovely image of Venugopala. On the wall there is an old painting of Srinivasa in the Mysore style. There is an antique handsome Tanjore painting nearby depicting deities of many divya desas. We turn right to reach the stunted dwaja stambha. Again a right turn brings us to the southern wall. There is an alcove in the middle, housing a smiling Anjaneya in a standing pose. He is facing northwards, towards Peria Perumal in Srirangam and Perumal, Rama, in Ayodhya. He appears to be a “vara prasadi” boon granter, as several paper garlands around his neck attest. These papers are full of “SriRamajayams”. To the right of Thiruvadi we have a seated Sri Nammazhwar and to the left Sri Ramanuja and Sri Manavalamamunigal.

The ceiling has frescoes. Some of which are in excellent condition. The ceiling right in front of Anjaneya has the ten azhwars and Andal. They are not in order and identification is not easy, though the paintings are in good condition. In the middle, right above Garudaazhwar is a fresco of Nrisimha with many hands(how many?… we are unable to make out) disemboweling Hiranyakasipu. Near the asura a swan like bird is drawn, kiliasura we are told. The same white bird makes an appearance in the same context on the southern wall in front of Kattuazhagiasingar temple. On the ceiling to the east is the “pranavakara vimana” and SriRanganatha. Here He has His left hand near His crown. Maybe this painting must be seen in a mirror held below, then the image will be correct. Coming to the ceiling near the sanctum, the northern portion has a lovely untouched picture of Sri Ranganayaki, but the southern portion has a distorted drawing of Nam Perumal with ubhaya nacchiyars. Sri Ranganayaki is beguiling and the painting is in good condition. These frescoes point to the fact that this temple is quite old.

Tvai rakshathi rakshakaihi kimanyai
Tvai cha arakshathi rakshakaihi kimanyai
Ithi nischita dhi shrayami nithyam
Nrihare veghavati(kaveri) thatashrayam tvam – Swami Desikan

Writeup Courtesy: Sri S.Sundar Rajan

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